Licensemy music?
There’s plenty of my music ready to be licensed for your storytelling. My catalogue offers cinematic music in all its variations, fully owned and available for licensing for film, TV, theatre, games, and all forms of storytelling. Parts of my film, television, theatre and media repertoire are represented by AMG Scandinavia AB under the label Outbrake, while the remaining catalogue is readily available for licensing, including through servo.music for fast and seamless access. For my artist project Inte Ens, releases are handled through the label and publisher Route 276, with distribution via AMG Scandinavia AB. As a professional composer for film, television, theatre and media, I bring several awards, excellent reviews, and years of experience working with renowned companies such as Swedish Public Service Broadcasting (SVT), BBC, Zentropa, and leading theatres including the Royal Dramatic Theatre, Stockholm City Theatre, Strindbergs Intima Teater, and Dansens Hus. Through these collaborations, I’ve learned how music can naturally enhance visuals, adding emotional depth, narrative strength, and a distinct professional dimension to any project. You are welcome to listen to selections from my repertoire on all major streaming platforms. The music is written with visual storytelling in mind, covering a wide range of moods and genres, all ready to support and elevate your project. All music is 100 percent original, rights cleared, and available for straightforward licensing. Custom edits can be provided when needed. For repertoire available on servo.music, you simply search for what fits your usage and mood. Pricing is clearly defined, and contracts, cue sheets and documentation are generated instantly, making the process efficient and precise. You are also very welcome to explore licensing options directly via servo.music, or to reach out to AMG Scandinavia AB for represented repertoire at www.amgscandinavia.com. For the Inte Ens catalogue, please visit Route 276 at www.route276.com. Below, I’ve included selected snippets along with short reflections on how the music could be used in different narrative contexts. Please don’t hesitate to reach out for bespoke compositions or if you have any questions. I look forward to hearing from you.
The music above represents just a glimpse of my work — and only one way to imagine it in use. Every project tells its own story, and only you know the exact sound it needs. I believe there’s a piece in my catalogue that can help you capture that vision and give your scene the right original voice.